<?xml version="1.0" encoding="UTF-8"?> <rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" > <channel> <title>The Good Musician &#187; rehearsal techniques</title> <atom:link href="http://www.thegoodmusician.com/tag/rehearsal-techniques/feed/" rel="self" type="application/rss+xml" /> <link>http://www.thegoodmusician.com</link> <description>Be a successful musician, one note at a time.</description> <lastBuildDate>Wed, 30 Jul 2008 05:11:28 +0000</lastBuildDate> <generator>http://wordpress.org/?v=2.9.1</generator> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item> <title>Ten tips to power up your rehearsal technique</title> <link>http://www.thegoodmusician.com/2008/04/ten-tips-to-power-up-your-rehearsal-technique/</link> <comments>http://www.thegoodmusician.com/2008/04/ten-tips-to-power-up-your-rehearsal-technique/#comments</comments> <pubDate>Thu, 24 Apr 2008 04:38:47 +0000</pubDate> <dc:creator></dc:creator> <category><![CDATA[Instrumental]]></category> <category><![CDATA[Performance practices]]></category> <category><![CDATA[Vocal]]></category> <category><![CDATA[musicianship]]></category> <category><![CDATA[rehearsal techniques]]></category> <category><![CDATA[warm-ups]]></category> <guid isPermaLink="false">http://www.thegoodmusician.com/ten-tips-to-power-up-your-rehearsal-technique/</guid> <description><![CDATA[&#160; Whether you are a vocal or instrumental musician, you want to get the most from those times you perform with other musicians. Here are ten tips to make your rehearsals more productive and enjoyable. 1. Print a copy of your contract or schedule including dates, times, and locations of rehearsals. 2. Look at your music ahead of time—mark unusual events, such as key and meter changes, tricky intervals—anything that might [...]<p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></description> <content:encoded><![CDATA[<p class="MsoNormal">&nbsp;</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal">Whether you are a vocal or instrumental musician, you want to get the most from those times you perform with other musicians. Here are ten tips to make your rehearsals more productive and enjoyable.</p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>1.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Print a copy of your contract or schedule including dates, times, and locations of rehearsals.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>2.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Look at your music ahead of time—mark unusual events, such as key and meter changes, tricky intervals—anything that might trip you up.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>3.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Keep a gig bag with your music, schedule, 3 of your favorite pencils/erasers, tissues; and your “stuff”—cork grease, back pillow, dental floss…</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>4.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Arrive early enough to properly prepare. Warm up before rehearsal if you can, if not, throughout the day, certainly when you arrive.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>5.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Find a corner and do some stretching exercises to relax and limber up.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>6.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Set up so that you have a direct line of sight to the conductor, and position your music just below that line, slightly tilted. All you need to do is glance down at your score now and again.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>7.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Sit or stand in an alert, grounded stance without slouching or crossing your legs.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>8.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Focus your attention on the conductor at all times, especially at beginnings and ends of phrases, rits, accelerandi, et al.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>9.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->When the conductor stops, you stop. Chattering and continuing after a cutoff wastes everyone’s precious time.</p> <p class="MsoNormal" style="margin-left: 0.75in; text-indent: -0.5in"><!--[if !supportLists]--><span><span>10.<span style="font-family: 'Times New Roman'; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal"> </span></span></span><!--[endif]-->Bring your best musicianship—make every rehearsal a dress rehearsal and you’ll improve your skills while having fun.</p> <p class="MsoNormal" style="margin-left: 0.25in"><o:p> </o:p></p> <p class="MsoNormal" style="margin-left: 0.25in">&nbsp;</p> <p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></content:encoded> <wfw:commentRss>http://www.thegoodmusician.com/2008/04/ten-tips-to-power-up-your-rehearsal-technique/feed/</wfw:commentRss> <slash:comments>5</slash:comments> </item> </channel> </rss>
