About good musicians

The term “good” in relation to being a musician means to me a person who dedicates their entire being to blow, scrape, hit, teach, sing, learn, whistle, compose, tune, or otherwise practice music to the very best of their abilities.

It has nothing to do with judgment, grades, power trips, ego eruptions, the elitist attitude that frequently assaults music. It doesn’t matter what “kind” of music it is. It has to do with being one with The Vibration of the Universe. Literally. Tuning to the Ultimate Tone. Blissed out on sound.

When you are attentive to the detail, the nuance that makes that particular piece thrilling to you, you are best able to thrill your listeners. I think of myself as a string, or pipe–a musical conduit to channel what the composer wanted us to hear as well-tuned and compelling as I am able. Able through practice, by paying attention to the basics so that the sense of the music as described by the composer has captured me in its flow, and I am able to include my listeners in that flow.

It doesn’t stop there. Your listeners take that flow and are transformed, radiating those vibrations everywhere they go. No worries about whether it was note perfect, who cares if there’s a kid in the background somewhere, it just means that you’re reaching an important audience. New minds to introduce to music.

I hold myself responsible as a good musician to be an exquisite human instrument, whether singing, playing, whatever–fully engaged in mindful musicianship.

St. Vitus–stained glass window

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