<?xml version="1.0" encoding="UTF-8"?> <rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" > <channel> <title>The Good Musician &#187; Piano</title> <atom:link href="http://www.thegoodmusician.com/category/piano/feed/" rel="self" type="application/rss+xml" /> <link>http://www.thegoodmusician.com</link> <description>Be a successful musician, one note at a time.</description> <lastBuildDate>Wed, 30 Jul 2008 05:11:28 +0000</lastBuildDate> <generator>http://wordpress.org/?v=2.9.1</generator> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item> <title>A woodwind quintet isn&#8217;t</title> <link>http://www.thegoodmusician.com/2008/07/a-woodwind-quintet-isnt/</link> <comments>http://www.thegoodmusician.com/2008/07/a-woodwind-quintet-isnt/#comments</comments> <pubDate>Wed, 30 Jul 2008 05:11:28 +0000</pubDate> <dc:creator></dc:creator> <category><![CDATA[Baroque]]></category> <category><![CDATA[Choral]]></category> <category><![CDATA[Classical]]></category> <category><![CDATA[Ethnomusicology]]></category> <category><![CDATA[Instrumental]]></category> <category><![CDATA[Music education]]></category> <category><![CDATA[Pedagogy]]></category> <category><![CDATA[Performance practices]]></category> <category><![CDATA[Piano]]></category> <category><![CDATA[Romantic]]></category> <category><![CDATA[Symphonic]]></category> <category><![CDATA[Vocal]]></category> <category><![CDATA[World]]></category> <category><![CDATA[music history]]></category> <category><![CDATA[musicology]]></category> <category><![CDATA[opera]]></category> <category><![CDATA[Benjamin Britten]]></category> <category><![CDATA[Fried Okra Productions]]></category> <category><![CDATA[Turn of the Screw]]></category> <category><![CDATA[woodwind quintet]]></category> <guid isPermaLink="false">http://www.thegoodmusician.com/a-woodwind-quintet-isnt/</guid> <description><![CDATA[All woodwinds, that is. The so-called woodwind quintet is a flute, oboe, clarinet, bassoon, and french horn. The latter, however, is frequently included in small chamber consorts, especially in the Baroque, as they play those lovely hunting calls and stirring royal fanfares. The Baroque sonata form often contained a 3/4 or 6/8 meter movement, and horns would feature prominently. The horn can also sustain a pedal tone or sound the root of a chord to support the other four instruments. There was lots &#8216;o repertoire written for woodwind quintet in the 20th century. There is a woodwind quintet nestled in [...]<p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></description> <content:encoded><![CDATA[<p>All woodwinds, that is. The so-called woodwind quintet is a flute, oboe, clarinet, bassoon, and french horn. The latter, however, is frequently included in small chamber consorts, especially in the Baroque, as they play those lovely hunting calls and stirring royal fanfares. </p> <p>The Baroque sonata form often contained a 3/4 or 6/8 meter movement, and horns would feature prominently. The horn can also sustain a pedal tone or sound the root of a chord to support the other four instruments. </p> <p>There was lots &#8216;o repertoire written for woodwind quintet in the 20th century. There is a woodwind quintet nestled in with a string quartet, augmented percussion, and celeste in Benjamin Britten&#8217;s <em>Turn of the Screw</em>. Britten wrote the score for &#8220;eleven solo instruments,&#8221; and organized his twelve-tone row into triadic tonal centers so the ear hears common practice harmony. </p> <p>Three of the woodwind quintet members double on other instruments. Flute/alto flute/piccolo, oboe/English horn, clarinet/bass clarinet and C clarinet. Britten&#8217;s orchestration is amazing. He creates a broader palette of pleasing sound than any other 12-tone composer. </p> <p>The opera is based on the Henry James novella, and is every bit as scary. There are only four characters: a young boy and his older sister, the new governess, and two very sinister servants, a woman and a man. It&#8217;s a plum role for a boy soprano, and is not often performed. </p> <p>I had a stupendous senior year in college. Actually two years. Sonoma State University in the late 70&#8217;s, faculty all Berkeley ph.d.s, slathered in non-western and experimental music. A lucky, lucky woman. I&#8217;ve been fortunate in having an arts management career on both the east coast and the west coast. Austin is not as fertile ground for me, or at least not yet. I&#8217;ve been fortunate in what I&#8217;ve found, and tonight I am very grateful for that.</p> <p>This is the cool-down for The Good Musician, and I have learned quite a bit, especially about the pedagogy of blogging. Quite a challenge with a day gig, performing, and a tour. I&#8217;ll still write about music in my other blog (shameless promotion&#8211; http://friedokraproductions.blogspot.com), but you&#8217;ll have to put up with the rest of my nonsense if you dare.</p> <p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></content:encoded> <wfw:commentRss>http://www.thegoodmusician.com/2008/07/a-woodwind-quintet-isnt/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>Mose Allison, come back to Austin.</title> <link>http://www.thegoodmusician.com/2008/07/mose-allison-come-back-to-austin/</link> <comments>http://www.thegoodmusician.com/2008/07/mose-allison-come-back-to-austin/#comments</comments> <pubDate>Fri, 25 Jul 2008 03:55:18 +0000</pubDate> <dc:creator></dc:creator> <category><![CDATA[Blues]]></category> <category><![CDATA[Classical]]></category> <category><![CDATA[Listening Lessons]]></category> <category><![CDATA[Piano]]></category> <category><![CDATA[Vocal]]></category> <category><![CDATA[jazz]]></category> <category><![CDATA[music history]]></category> <category><![CDATA[musicology]]></category> <category><![CDATA[Mose Allison]]></category> <guid isPermaLink="false">http://www.thegoodmusician.com/mose-allison-come-back-to-austin/</guid> <description><![CDATA[The last time I heard Mose Allison live was at the Continental Club in &#8216;85 or so. I discovered Mose at college in &#8216;63, and the first time I heard him on 33-1/3 vinyl I could have sworn he was black. I was astonished when my friend showed me the cover. As I listened more closely, I was amazed at his unusual piano style, a fusion of jazz and blues. He hums and grunts along with his piano solos, kinda like Glenn Gould does in his definitive Bach recordings. It&#8217;s a distinctive style that no one has been able to [...]<p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></description> <content:encoded><![CDATA[<p>The last time I heard <a href="http://www.npr.org/programs/jazzprofiles/archive/allison.html">Mose Allison</a> live was at the Continental Club in &#8216;85 or so. I discovered <a href="http://www.moseallison.com/">Mose</a> at college in &#8216;63, and the first time I heard him on 33-1/3 vinyl I could have sworn he was black. I was astonished when my friend showed me the cover. As I listened more closely, I was amazed at his <a href="http://www.moseallison.net/">unusual piano style</a>, a fusion of jazz and blues. He hums and grunts along with his piano solos, kinda like Glenn Gould does in his definitive Bach recordings. </p> <p>It&#8217;s a distinctive style that no one has been able to copy. But greats like Bonnie Raitt, John Mayall, Eric Clapton, The Who, The Clash, and Van Morrison love to cover his songs as much for the wry, quirky lyrics as the music. With titles like <em>Your Molecular Structure, Middle Class White Boy, Your Mind is on Vacation, Parchman Farm, Seventh Son, Certified Senior Citizen, Everybody&#8217;s Crying Mercy,</em> it isn&#8217;t difficult to figure out why. He is famous for his razor-sharp hooks and <em>realismo</em> humor.</p> <p>Do yourself a favor and check out this remarkable musician. He is the best thing to come out of the Deep South since William Faulkner. I wrote that last line, then checked out some sites. I found two citations that referred to him as &#8220;the William Faulkner of jazz.&#8221; Guess they heard the same thing I did.</p> <p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/4EvvHcLoAAA&#038;hl=en&#038;fs=1&#038;color1=0x402061&#038;color2=0x9461ca"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/4EvvHcLoAAA&#038;hl=en&#038;fs=1&#038;color1=0x402061&#038;color2=0x9461ca" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></p> <p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></content:encoded> <wfw:commentRss>http://www.thegoodmusician.com/2008/07/mose-allison-come-back-to-austin/feed/</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item> <title>Austin Chamber Music Festival gala at Lady Bird Johnson Wildflower Center</title> <link>http://www.thegoodmusician.com/2008/07/austin-chamber-music-festival-gala-at-lady-bird-johnson-wildflower-center/</link> <comments>http://www.thegoodmusician.com/2008/07/austin-chamber-music-festival-gala-at-lady-bird-johnson-wildflower-center/#comments</comments> <pubDate>Sat, 12 Jul 2008 04:25:26 +0000</pubDate> <dc:creator></dc:creator> <category><![CDATA[20th Century]]></category> <category><![CDATA[21st Century]]></category> <category><![CDATA[Baroque]]></category> <category><![CDATA[Classical]]></category> <category><![CDATA[Performance practices]]></category> <category><![CDATA[Piano]]></category> <category><![CDATA[Romantic]]></category> <category><![CDATA[Symphonic]]></category> <category><![CDATA[]]></category> <category><![CDATA[Austin Chamber Music Festival]]></category> <category><![CDATA[Cecilia String Quartet]]></category> <category><![CDATA[Dan Welcher]]></category> <category><![CDATA[Gryphon Piano Trio]]></category> <category><![CDATA[Wild Basin Winds]]></category> <guid isPermaLink="false">http://www.thegoodmusician.com/austin-chamber-music-festival-gala-at-lady-bird-johnson-wildflower-center/</guid> <description><![CDATA[The Austin Chamber Music Festival kicks off tonight with a special concert featuring Peter Bay conducting George Gershwin&#8217;s &#8220;Rhapsody in Blue&#8221; with pianist Michelle Schumann. Also on the program is the world premiere of University of Texas composer Dan Welcher&#8217;s &#8220;Four Personal Ads,&#8221; featuring soprano Mela Dailey. The Cecilia String Quartet tops off the evening with Gershwin&#8217;s &#8220;Lullaby.&#8221; The concert takes place at the Lady Bird Johnson National Wildflower Center, 4801 LaCrosse Avenue, Austin TX. The festival continues throughout the week. Saturday, July 12, 3:00 pm Austin Chamber Music Festival: Wild Basin Winds Mathew Krejc flute, Ian Davidson oboe, Steve Girko clarinet, Thomas Hale [...]<p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></description> <content:encoded><![CDATA[<p><a href="http://www.austinchambermusic.org/festival/">The Austin Chamber Music Festival</a> kicks off tonight with a special concert featuring Peter Bay conducting George Gershwin&#8217;s &#8220;Rhapsody in Blue&#8221; with pianist Michelle Schumann. Also on the program is the world premiere of University of Texas composer <a href="http://www.danwelcher.com/flash/main.htm">Dan Welcher</a>&#8217;s &#8220;Four Personal Ads,&#8221; featuring soprano Mela Dailey. The Cecilia String Quartet tops off the evening with Gershwin&#8217;s &#8220;Lullaby.&#8221; The concert takes place at the <a href="http://www.wildflower.org/">Lady Bird Johnson National Wildflower Center</a>, 4801 LaCrosse Avenue, Austin TX.</p> <p>The festival continues throughout the week.</p> <p><strong>Saturday, July 12, 3:00 pm</strong><br /> Austin Chamber Music Festival: <a href="http://www.wildbasinwinds.com/">Wild Basin Winds</a><br /> Mathew Krejc <em>flute</em>, Ian Davidson <em>oboe</em>, Steve Girko <em>clarinet</em>, Thomas Hale <em>French horn</em>, and Daris Word Hale <em>bassoon</em><br /> Austin Children&#8217;s Museum, 2nd &#038; Colorado<br /> 454-0026 / 454-7562 / 472-2499 $6/$4</p> <p><strong>Saturday, July 12, 7:30 pm</strong><br /> Austin Chamber Music Festival: <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&#038;friendid=100745092">Cecilia String Quartet</a><br /> Sarah Nematallah and Min Jeong Koh <em>violins</em>, Caitlin Boyle <em>viola</em>, and Rebecca Wenham <em>cello</em><br /> Haydn, Brahms, &#038; Belinda Reynolds&#8217; &#8220;Static Motion&#8221;<br /> Rollins Studio Theatre, Long Center, 701 West Riverside Drive<br /> 474-5664 / 454-0026 / 454-7562 $25</p> <p><strong>Monday, July 14, 1:00 pm</strong><br /> Austin Chamber Music Festival: Faculty Artists<br /> Brentwood Christian School, 11908 North Lamar Boulevard<br /> 454-0026 / 454-7562 FREE</p> <p><strong>Tuesday, July 15, 1:00 pm</strong><br /> Austin Chamber Music Festival: <a href="http://www.gryphontrio.com/">Gryphon Piano Trio</a><br /> Annalee Patipatanakoon <em>violin</em>, Roman Borys <em>cello</em>, and Jamie Parker <em>piano</em><br /> Brentwood Christian School, 11908 North Lamar Boulevard<br /> 454-0026 / 454-7562 FREE</p> <p><strong>Tuesday, July 15, 7:30 pm</strong><br /> Austin Chamber Music Festival: Gryphon Piano Trio<br /> Annalee Patipatanakoon <em>violin</em>, Roman Borys <em>cello</em>, and Jamie Parker <em>piano</em><br /> Mozart, Dvorak, &#038; Christos Hatzis&#8217; &#8220;Old Photographs&#8221;<br /> Dell Hall, Long Performing Arts Center, 701 West Riverside Drive<br /> 474-5664 / 454-0026 / 454-7562 $25</p> <p><strong>Wednesday, July 16, 7:00 pm</strong><br /> Austin Chamber Music Festival: Cecilia String Quartet<br /> Sarah Nematallah and Min Jeong Koh <em>violin</em>, Caitlin Boyle <em>viola</em>, and Rebecca Wenham <em>cello</em><br /> Brighton Gardens, 4401 Spicewood Springs Road<br /> 454-0026 / 454-7562 FREE</p> <p><strong>Thursday, July 17, noon</strong><br /> Austin Chamber Music Festival: Steve Girko <em>clarinet</em>, Margaret Coltman <em>cello</em>, and Felicity Coltman <em>piano</em><br /> Central Presbyterian Church, 8th &#038; Brazos<br /> 472-2445 / 454-0026 / 454-7562 FREE (lunch $5)</p> <p><strong>Thursday, July 17, 1:00 pm</strong><br /> Austin Chamber Music Festival: <a href="http://www.meridianartsensemble.com/">Meridian Arts Ensemble</a><br /> Brentwood Christian School, 11908 North Lamar Boulevard<br /> 454-0026 / 454-7562 FREE</p> <p><strong>Thursday, July 17, 7:30 pm</strong><br /> Austin Chamber Music Festival: <a href="http://www.toscastrings.com/home.htm">Tosca String Quartet</a><br /> Leigh Mahoney and Tracy Seeger <em>violin</em>, Ames Asbell <em>viola</em>, and Sara Nelson <em>cello</em><br /> University of Texas Harry Ransom Center, 21st &#038; Guadalupe<br /> 454-0026 / 454-7562 FREE</p> <p>Post from: <a href="http://www.thegoodmusician.com">The Good Musician</a></p> ]]></content:encoded> <wfw:commentRss>http://www.thegoodmusician.com/2008/07/austin-chamber-music-festival-gala-at-lady-bird-johnson-wildflower-center/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>
