The Good Musician

The last time I heard Mose Allison live was at the Continental Club in ‘85 or so. I discovered Mose at college in ‘63, and the first time I heard him on 33-1/3 vinyl I could have sworn he was black. I was astonished when my friend showed me the cover. As I listened more closely, I was amazed at his unusual piano style, a fusion of jazz and blues. He hums and grunts along with his piano solos, kinda like Glenn Gould does in his definitive Bach recordings.
It’s a distinctive style that no one has been able to …read more

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The Good Musician loves great film music. Growing up with 50’s musical extravaganzas through the evolution to electronic and digital of today, I’m aware that what I hear in the movies is just as affecting as what I see. A great music and sound staff can pull a mediocre movie up to a decent one. Even though I have more than five favorites, I’ll try to be the Good Blogger and keep it short and sweet.
1. Kiss Me Kate (1953) Howard Keel and Kathryn Grayson look fabulous and really wail on the Cole Porter score.
2. Psycho (1960) Pretty much the …read more

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